Nearly fifteen years ago, I ruffled a few feathers when I criticized contemporary Christian music for its highly romanticized – even sexualized – lyrics for expressing devotion to God. In my 2006 book, Exiles, I carped about Matt Redman declaring “Jesus, I am so in love with you,” and Delirious singing “We are God’s romance,” and I outlined all the reasons why I thought the phenomenon of feeling “in love” was an entirely inappropriate phrase for Christian worship. “Jesus ain’t my boyfriend,” I whined.

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